Vikram Kumar B R, affectionately known as Bathina Vikram Goud, stands as a towering figure in the Indian classical arts ecosystem, particularly in Andhra Pradesh. Over three decades, this multifaceted artist, organizer, educator, researcher, and cultural diplomat has dedicated his life to preserving, promoting, and innovating Kuchipudi—the indigenous classical dance form of Andhra. Born into a family that valued artistic expression, Vikram's journey began with personal passion and evolved into a statewide renaissance, transforming ephemeral performances into enduring cultural institutions. His work bridges ancient guru-shishya traditions with modern accessibility, ensuring Indian classical arts thrive amid contemporary challenges. Through academies, festivals, publications, and advocacy, Vikram has not only safeguarded heritage but elevated it to global prominence, earning accolades from governments and cultural bodies alike.
During his postgraduate years, Vikram was no mere student; he became an active architect of institutional growth. He contributed significantly to establishing the Department of Dance at Andhra University, advocating for dedicated spaces where theory met practice. His stage presence shone in numerous Kuchipudi ballets, where he donned prominent roles, captivating audiences with expressive abhinaya, precise nritta, and narrative depth. These performances were not isolated; they were complemented by his proactive role in organizing seminars and workshops on Kuchipudi aesthetics, repertoire, and pedagogy. Vikram represented Andhra University at prestigious All-India dance and theatre festivals, competing at venues that showcased India's finest talents. His ability to embody characters—from divine figures to human dilemmas—won hearts, blending emotional authenticity with technical virtuosity. This performer phase honed his understanding of Kuchipudi's soul: a dance-drama form rooted in Yakshagana traditions, demanding versatility in acting, singing, and rhythm.
As a Choreographer : Innovating Tradition Vikram's artistry transcended performance into choreography, where he infused novelty while honoring Kuchipudi's core. From college days, he crafted pieces that propelled university students to national acclaim, proving choreography as a tool for collective excellence. Refusing to confine himself to replication, Vikram experimented boldly. His seminal work, Chenchu Lakshmi Narasimha Kalyanam, reimagines Lord Narasimha's Simhachalam legend through experimental fusion—primarily Kuchipudi with folk infusions—performed at over 150 venues nationwide. This production exemplifies his philosophy: tradition evolves without dilution.
Other landmarks include Swachh Ganga – Swachh Bharat, adapting Bhagiratha Vilasam to advocate clean water; Maha Visakha Vaibhavam, celebrating regional divinity; Sri Krishna Leelalu, exploring divine playfulness; Society for Future; and Youth Never Sleeps. These works address contemporary themes—environment, youth empowerment—while being rooted in sahitya and natyashastra. Vikram's choreography democratizes Kuchipudi, making it relevant to modern audiences without compromising purity. Complementing this, his Diplomas in Acting and Direction from Andhra University fueled theatrical prowess. He excelled in mythological, social, philosophical, and contemporary plays, winning accolades at Central University meets. For a decade, as an actor-director in AU's Theatre Arts Department, he mesmerised visitors, including former President Dr. APJ Abdul Kalam, UGC, and NAAC committees, blending dance-theatre synergies.
Cultural Organizer & Educator: Building Institutions Vikram's vision crystallized in 2000 with the Nataraj Music & Dance Academy (NMDA) in Visakhapatnam—an ISO 9001:2008 certified beacon of Kuchipudi education. More than a school, NMDA is a "cultural service center," imparting training with technical precision and spiritual ethos to preserve Andhra's indigenous form. As a UNESCO International Dance Council member, Vikram globalized local talent.
Since 1998, his festival curation masterclass has redefined presentation: Vysaki Nrithyotsav (All-India showcase), Bharat Nrithyotsav (international spotlight), Nataraj Nrithyotsav (male dancers' excellence), Sathyabhama Yuva Nrithyotsav (youth platform), Jathis National (roving accessibility), and Naatya Tharang (monthly sustenance). These rest on elite collaborations with Padma/SNA luminaries, educational bridges via workshops (e.g., Padma Bhushan Manju Bhargavi), and archival via The Dance India magazine (650+ library subscribers).
Editor, Critic, Researcher & Promoter : Chronicling Legacy In a guru-shishya declining era, Vikram launched The Dance India—a RNI/ISSN monthly English magazine (3+ years). As Editor, he documents classical/folk arts, stalwart biographies, reviews, research, and tributes, inspiring aspirants amid financial challenges. As critic-judge, he offers constructive feedback at events. His research shines in M.A. dissertation on Siva Thandavam (comparing Saptha Thandavam to Puttaparthi Narayanacharyulu; 100% score), plus papers at AU/Potti Sriramulu Telugu University. Promotionally, he authored The Reformer (English) and Kuchipudi Vythalikudu (Telugu) on Padma Bhushan Dr. Vempati Chinna Satyam, distributing 10,000 copies to schools/libraries. NMDA/The Dance India host nationwide workshops/seminars like "Gostha" symposiums.
Recognition & Enduring Legacy
Vikram's devotion yields: Republic Day Excellence (AP Govt.), Best Promoter (PRSI), Naatya Kala Poshaka (Sagara), International Dance Congress Excellency (Odisha Governor), Rastreeya Kala Poshak (Bangalore), Jayadev (Bhubaneswar), Best NGO CSR (PRSI). As a cultural diplomat, he proves arts as societal service—living heritage for posterity. Government of Andhra Pradesh Ugadhi State Award from the Chief Minister of Andhra Pradesh in the Year 2025.
